SUGGESTED: Man sentenced to 24 years in prison for California wildfire that killed 12 condors. New York Times, But before releasing the album in October 1972, they had discarded their original story line idea and some newly written scenes. Don't Crush That Dwarf, Hand Me the Pliers (1970) is a single play centered around an actor named George Tirebiter (Ossman), who gradually ages into an old man while watching his old movies on television: a Henry Aldrich parody High School Madness (in which he is named Porgie Tirebiter), and the Korean War film Parallel Hell. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. Firesign Theatre: "Giant Hand Balloon" View fullsize. Bergman went backstage and struck up a friendship with Milligan. We have set up a Memorial Guestbook page on this site. more, David's got three albums and YOU MUST BUY THEM, all of them, so that you too can graduate from "Let's David O'Doherty" to "I David O'Doherty'd!" As of 12/27/16, all pre-orders have been shipped. [6] Also that year, he saw the Beatles in concert, which gave him the inspiration to form a four-man comedy group.[7]. [7], The Firesigns initially chose an improvisational style and carried it to a level which revolutionized radio comedy. . Those two French, Frith, Kaiser and Thompson albums led me to this. The event was captured on video, and we are pleased to announce that the Library of Congress has just made it available for viewing on their web site: http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=8134&loclr=eanw. It was recorded in CBS's Los Angeles radio studio from which The Jack Benny Program and others had been broadcast; the original RCA microphones and sound effects devices were used. In 1970, the group had performed a live stage show, the Shakespeare parody The Count of Monte Cristo, at Columbia University. Principal Poop talks principles; Miners talk coal; and Giant Toad Supermarket offers deep-cut discounts. This definitive collection celebrates Ossmans 79th birthday and features a captivating cast that includes Beat St. Jack, Banana Clip Republicans, Funny Skydivers, as well as an Elegy to Rock Snot. The Firesign Theatre was the brainchild of Peter Bergman, and all of its material was conceived, written, and performed by its members Bergman, Philip Proctor, Phil Austin, and David Ossman. In a parody of Marlon Brando's 1973 Academy Awards protest, the brother and sister stage a terrorist attack on an Oscar awards ceremony. On nights when he had no guests, Bergman would have the Firesigns come on the air and pretend (including himself) to be outrageously interesting guests. Baldy prompt warning to even the most experienced hikers, Man and dog fall off cliff near Mugu Rock, Orange County man accused of kidnapping woman at mall, sexually assaulting her, Good Day LA's Tony McEwing announces retirement, Tulare massacre: Mother, infant killed among 6 execution-style were trying to escape, Family of OC public defender found dead in Mexico accuses local authorities of poor communication, Keenan Anderson: Community demands justice for man who died after LAPD shocked him with Taser 6 times, Darnell Calhoun: Hundreds attend vigil for slain Riverside County sheriff. Side two, the title track, is a stream-of-consciousness play about an American tourist (Austin) to an Eastern Bloc country, who ends up in prison and is rescued by the CIA. On March 9, Columbia signed them to a second five-year contract. So it should come as no surprise that Firesign would take advantage of current social networking platforms to keep its fans informed and tuned in to what's happening with the group. Their album "Don't Crush That Dwarf, Hand Me the Pliers" was inducted into the Library of Congress recording registry in 2005. Includes high-quality download in MP3, FLAC and more. [31] He scripted fake interviews with imaginary "newsmakers".[32]. Originally, when we started writing it, it was going to be a much more complicated and 'cinematic' record; we were trying to write a radio movie." For the first time ever, every Firesign Theatre radio broadcast of note from 1970 to 1972 is now available for purchase! I mean it was five years non-stop work. Hello" with "Hello Ah-Clem. Freezing Mr. Foster 4. . [27], In the summer of 1990, NPR producer Ted Bonnitt called Proctor and asked him if he wanted to contribute some comedy material to Bonnitt's nightly program HEAT with John Hockenberry. They continued appearing on Radio Free Oz, which later moved to KRLA 1110 AM and then KMET FM, through February 1969. This album also received a Hugo nomination in 1972.[20]. The popularity of the group cooled off after 1980 as the social and political climate of the United States changed with the election of President Ronald Reagan. This total includes one release on Columbia's subsidiary label, Last edited on 20 December 2022, at 23:02, Don't Crush That Dwarf, Hand Me the Pliers, Anythynge You Want To (Shakespeare's Lost Comedie), Hugo Award for Best Dramatic Presentation, Not So Much a Programme, More a Way of Life, Waiting for the Electrician or Someone Like Him, How Can You Be in Two Places at Once When You're Not Anywhere at All, Shoes for Industry: The Best of the Firesign Theatre, Nick Danger: The Case of the Missing Shoe, Duke of Madness Motors: The Complete "Dear Friends" Radio Era, Association for Consciousness Exploration, United States Court of Appeals for the Fifth Circuit, Back From the Shadows: The Firesign Theatre's 25th Anniversary Reunion Tour, Nick Danger in The Case of the Missing Yolk, "Peter Bergman: Remembering The 'Firesign' Satirist", "FIREZINE #4: Under the Influence of the Goons", "Legendary Comedy Group Firesign Theatre Celebrates Its 40th Anniversary November 17, 2006; Invite Fans to Cough Up the Goods", "Jack Poet Volkswagen commercials: Firesign Theatre: Free Download & Streaming: Internet Archive", "Fall Comedy Reads: A Look Back at the Firesign Theatre", "The History of Proctor & Bergman On the Road", "Proctor and Bergman | Bottom Line | New York, NY | Jun 8, 1978 | Late Show - wolfgangsvault.com", "FIREZINE #4: Nick Danger: The Daily Feed Tapes", "Peter Bergman, Firesign Theatre founder, dies at 72 | 89.3 KPCC", "Firesign Theatre Still an Original After 45 Years Audio Eclecticism in the 60s", "Phil Austin, dies at 74; voice of Firesign Theatre's Nick Danger", "Phil Proctor and David Ossman on Firesign Theatre's Return with "Dope Humor of the Seventies" on Vinyl", "Peter Bergman, Firesign Theatre founder, dies at 72", "Phil Austin (a.k.a. Electrician revolutionized the concept of the comedy album: it consists of four radio plays. Driving For Dopers -- 1/10/71 4. Mark Time! and John Hammond." Coal! The fire broke out near the westbound lanes of the 60 Freeway near the 71 Freeway. The Firesign Theatre (also known as the Firesigns)[1][2] was an American surreal comedy troupe who first appeared on November 17, 1966, in a live performance on the Los Angeles radio program Radio Free Oz on station KPFK FM. ", Beatle John Lennon was photographed wearing the Firesign's "Not Insane Papoon for President" campaign button they had made for Martian Space Party (Not Insane album). Fully Firesign-approved merchandise! Dear Friends is The Firesign Theatre's fifth album to be released on Columbia Records. The Firesign Theatre performing at the Magic Mushroom club in 1967: Proctor, Ossman, Bergman, Austin, there was something about the Eighties the anti-surrealist, I dreamed it back. These programs were recorded and then edited into slightly shorter shows and syndicated to radio stations across the country on 12" LP albums. For more details, see this press release. They've done a great job on site redesign. It's like having the '60s in the palm of your mind 48-page paperback book with DVD-ROM, including all 11 of the surviving Magic Mushroom plays, plus original promos and the 10/29/1967 episode of Radio Free Oz ("The Bridey Murphy Come As You Were Halloween Party"). Proctor has also acted and appeared as a voice actor on many television shows and several feature films. The 2012 "Big Brouhaha" celebrating Peter's life and work, held at the Kirkland Memorial Center in Seattle, WA., was captured for posterity and a DVD of the event is in the works. The Firesign Theatre closed out their Columbia Records contract with a greatest-hits compilation Forward Into the Past in 1976. The Firesigns produced a film made by Allen Daviau (who later filmed E.T. It covers his Amish/Irish origins, leading inexplicably to work on Broadway, radio, TV, film, and with the Firesign Theatre, creating the most revolutionary comedy recordings ever made. [7] In November, Proctor was in Los Angeles looking for acting work and watching the Sunset Strip curfew riots. Giant Toad Supermarket Poster 912 $ 14.95 $ 9.19 Firesign Theatre Fan art by Bruce Snyder from their album "Dear Friends". After over 20 years of service, the original co-webmasters of firesigntheatre.com are handing the site reins over to Phil Proctor's daughter Kristin Campbell, and official Firesign archivist & shipping monkey Taylor Jessen. Firesign Theater - Dear Friends (1972) (Complete Album) 01pynchon 1.6K subscribers Subscribe 101K views 10 years ago Dear Friends is The Firesign Theatre's fifth album to be released on. Text Size:silicone muffin cups : target university of texas assistant basketball coach salary. So we were just listening to them at the end. Obituaries: L.A. times, The T.V. Meanwhile, from September 9, 1970 to February 17, 1971, they were performing a one-hour weekly live series on KPFK, Dear Friends. If you're reading this, you are probably aware that the site you are viewing now has a new domain name. has returned to CD! [35], A compilation album distilled from the Duke of Madness Motors set, Dope Humor of the Seventies, was released by Stand Up! Duke Duke Duke Duke of Madness Madness Madness! Two lanes of the 60 Freeway were closed nearby because of a tractor-trailer fire. [25] Austin wrote in 1993 that this tour "was meant to be an antidote to confusion but had not turned out to be much fun at all". As Austin looked back on this period from September 1993, he wrote that he saw Proctor and Bergman wanting to take the Firesign Theatre in a different direction than he did, moving away from intensely written albums released one per year, to more live performances with lighter material. Following the 1992 United States presidential election,[7] and with Ossman back in the group, the Firesign Theatre reunited in 1993 for a 25th anniversary reunion tour around the US, Back From the Shadows, starting on April 24 in Seattle with an audience of 2,900. John Drumbo French from Captain Beefheart and The Magic Band worked with Thompson on two albums along with Fred Frith and Henry Kaiser. Considered lost for half a century, these mythical broadcasts are finally being officially released from the best available recordings, fully remastered and with historical appreciations from original members of Firesign and their archivist. [8] They concentrated their writing on the folk-club material and produced improvisational skit material for the Radio Hour and its successors. The resulting synergy created the feeling of a fifth Firesign; according to Austin: "It's like, suddenly there is this fifth guy that actually does the writing. Phil Proctor has alerted us to the availability of two books from Bear Manor Media, which may be of interest to fans this holiday season: Americathon: The Skits Behind The Screenplay. On returning to the US, Bergman started a late-night listener-participation talk show, Radio Free Oz, on July 24, 1966, on listener-sponsored KPFK FM in Los Angeles, working with producers Phil Austin and David Ossman. There were no reported injuries. They also expanded their 1972 Shakespeare parody into a road show, Shakespeare's Lost Comedie and released it on a 1982 vinyl LP, which required editing down; it was re-released uncut on CD in 2001, retitled Anythynge You Want To. This show at the Steve Allen Theater at the Center for Inquiry will be history in the making. We all listened to The Goon Show, Peter Sellers, Spike Milligan and Harry Secombe, at various times in our lives. Meanwhile, Austin and Ossman toured the west coast, billing themselves as "Dr. Firesign's Theatre of Mystery". [54], On several occurrences of the Association for Consciousness Exploration (ACE)'s Starwood Festival, director Jeff Rosenbaum has organized performances of Firesign Theatre radio plays performed by organizers and guest speakers of the event under the name "Firesign Clones". This site now becomes an adjunct to the official Firesign site, and a place where content built up over 20+ years can still be viewed. Obituaries: L.A. times, N.Y. Times, NPR (Fresh Air), Washington Post, Plain Dealer (Cleveland), among others. - "Here is a link to the Channel 11 Yule Log to watch while you listen" [https://www.youtube.com/watch?v=VEx4KMzPegc], Freddie Blassie - "Mambo Remus Interview", Al 'Jazzbo' Collins - "Three Little Pigs", PDQ Bach - "Beethoven's Fifth Concertcast", Kate Smith - "When the Moon Comes Over the Mountain", Frank Sinatra & Dagmar - "Mama Will Bark", Masters of Reality - "Ants in the Kitchen", Chubby Checker - "Twistin Around the World", Skiles & Henderson - "Winchester Cathedral", Louis Armstrong & His Orchestra - "Laughing Louie", R Crumb & his Cheap Suit Serenaders - "Singing in the Bathtub", Margaret Whiting & Bob Hope - "Blind Date", Robert D. Buchanan & Jack Schleh - "Colonel Bleep's Arrival on Earth 1957", Michael Hall - "Let's Get Some Drugs and Drive Around", Robert Palmer - "Parade of the Obliterators", Billy Murray & Marcella Shields - "Ever Since the Movies Learned to Talk", Sam The Sham & the Pharaohs - "By the Hair on My Chinny Chin Chin", Firesign Theatre - "Before the Beginning", Lincoln Chase - "You've Got to Be a Little Crazy", Doreen Davis & Bobby Lyons - "Punch Line", Marshall x Shazib - "Welcome to the Waffle House", Skeletons - "Take Me Out to the Ballgame", Radio Free Vestibule - "Bulbous Bouffant", Camille West - "Nervous Wreck of the Edna Fitzgerald", Happiness Boys (Jones & Hair) - "Pardon Me While I Laugh", Red Ingle & Natural 7 - "A: You're a Dopey Gal", http://podcast.wfmu.org/KB/kb-20230113p.mp3, https://images.podcastrepublic.net/podcast/350606463hd.jpg, https://www.wfmu.org/playlists/shows/123692, http://podcast.wfmu.org/KB/kb-20221230p.mp3, https://www.wfmu.org/playlists/shows/123239, http://podcast.wfmu.org/KB/kb-20221223p.mp3, https://www.wfmu.org/playlists/shows/123008, http://podcast.wfmu.org/KB/kb-20221216p.mp3, https://www.wfmu.org/playlists/shows/122785, http://podcast.wfmu.org/KB/kb-20221209p.mp3, https://www.wfmu.org/playlists/shows/122525, http://podcast.wfmu.org/KB/kb-20221202p.mp3, https://www.wfmu.org/playlists/shows/122304, http://podcast.wfmu.org/KB/kb-20221126p.mp3, https://www.wfmu.org/playlists/shows/122034, http://podcast.wfmu.org/KB/kb-20221118p.mp3, https://www.wfmu.org/playlists/shows/121783, http://podcast.wfmu.org/KB/kb-20221111p.mp3, https://www.wfmu.org/playlists/shows/121589, http://podcast.wfmu.org/KB/kb-20221104p.mp3, https://www.wfmu.org/playlists/shows/121338, http://podcast.wfmu.org/KB/kb-20221028p.mp3, https://www.wfmu.org/playlists/shows/121114, http://podcast.wfmu.org/KB/kb-20221021p.mp3, https://www.wfmu.org/playlists/shows/120894, http://podcast.wfmu.org/KB/kb-20221014p.mp3, https://www.wfmu.org/playlists/shows/120733, http://podcast.wfmu.org/KB/kb-20221007p.mp3, https://www.wfmu.org/playlists/shows/120459, http://podcast.wfmu.org/KB/kb-20220930p.mp3, https://www.wfmu.org/playlists/shows/120227, http://podcast.wfmu.org/KB/kb-20220923p.mp3, https://www.wfmu.org/playlists/shows/120016, http://podcast.wfmu.org/KB/kb-20220916p.mp3, https://www.wfmu.org/playlists/shows/119777, http://podcast.wfmu.org/KB/kb-20220909p.mp3, https://www.wfmu.org/playlists/shows/119560, http://podcast.wfmu.org/KB/kb-20220902p.mp3, https://www.wfmu.org/playlists/shows/119331, http://podcast.wfmu.org/KB/kb-20220826p.mp3, https://www.wfmu.org/playlists/shows/119089, http://podcast.wfmu.org/KB/kb-20220819p.mp3, https://www.wfmu.org/playlists/shows/118865, http://podcast.wfmu.org/KB/kb-20220812p.mp3, https://www.wfmu.org/playlists/shows/118652, http://podcast.wfmu.org/KB/kb-20220805p.mp3, https://www.wfmu.org/playlists/shows/118423, http://podcast.wfmu.org/KB/kb-20220729p.mp3, https://www.wfmu.org/playlists/shows/118193, http://podcast.wfmu.org/KB/kb-20220722p.mp3, https://www.wfmu.org/playlists/shows/117949, http://podcast.wfmu.org/KB/kb-20220715p.mp3, https://www.wfmu.org/playlists/shows/117727, http://podcast.wfmu.org/KB/kb-20220708p.mp3, https://www.wfmu.org/playlists/shows/117506, http://podcast.wfmu.org/KB/kb-20220701p.mp3, https://www.wfmu.org/playlists/shows/117279, http://podcast.wfmu.org/KB/kb-20220624p.mp3, https://www.wfmu.org/playlists/shows/117059, http://podcast.wfmu.org/KB/kb-20220617p.mp3, https://www.wfmu.org/playlists/shows/116822, http://podcast.wfmu.org/KB/kb-20220610p.mp3, https://www.wfmu.org/playlists/shows/116611, http://podcast.wfmu.org/KB/kb-20220603p.mp3, https://www.wfmu.org/playlists/shows/116362, http://podcast.wfmu.org/KB/kb-20220527p.mp3, https://www.wfmu.org/playlists/shows/116142, http://podcast.wfmu.org/KB/kb-20220520p.mp3, https://www.wfmu.org/playlists/shows/115909, http://podcast.wfmu.org/KB/kb-20220506p.mp3, https://www.wfmu.org/playlists/shows/115468, http://podcast.wfmu.org/KB/kb-20220429p.mp3, https://www.wfmu.org/playlists/shows/115056, http://podcast.wfmu.org/KB/kb-20220423p.mp3, https://www.wfmu.org/playlists/shows/114833, http://podcast.wfmu.org/KB/kb-20220415p.mp3, https://www.wfmu.org/playlists/shows/114583, http://podcast.wfmu.org/KB/kb-20220408p.mp3, https://www.wfmu.org/playlists/shows/114367, http://podcast.wfmu.org/KB/kb-20220401p.mp3, https://www.wfmu.org/playlists/shows/114166, http://podcast.wfmu.org/KB/kb-20220325p.mp3, https://www.wfmu.org/playlists/shows/113946, http://podcast.wfmu.org/KB/kb-20220318p.mp3, https://www.wfmu.org/playlists/shows/113725, http://podcast.wfmu.org/KB/kb-20220311p.mp3, https://www.wfmu.org/playlists/shows/113514, http://podcast.wfmu.org/KB/kb-20220304p.mp3, https://www.wfmu.org/playlists/shows/113284, http://podcast.wfmu.org/KB/kb-20220225p.mp3, https://www.wfmu.org/playlists/shows/113066, http://podcast.wfmu.org/KB/kb-20220218p.mp3, https://www.wfmu.org/playlists/shows/112854, http://podcast.wfmu.org/KB/kb-20220211p.mp3, https://www.wfmu.org/playlists/shows/112640, http://podcast.wfmu.org/KB/kb-20220204p.mp3, https://www.wfmu.org/playlists/shows/112409, http://podcast.wfmu.org/KB/kb-20220128p.mp3, https://www.wfmu.org/playlists/shows/112192, http://podcast.wfmu.org/KB/kb-20220121p.mp3, https://www.wfmu.org/playlists/shows/111977, http://podcast.wfmu.org/KB/kb-20220114p.mp3, https://www.wfmu.org/playlists/shows/111747, http://podcast.wfmu.org/KB/kb-20220107p.mp3, https://www.wfmu.org/playlists/shows/111523, http://podcast.wfmu.org/KB/kb-20211231p.mp3, https://www.wfmu.org/playlists/shows/111280, http://podcast.wfmu.org/KB/kb-20211224p.mp3, https://www.wfmu.org/playlists/shows/111047, http://podcast.wfmu.org/KB/kb-20211217p.mp3, https://www.wfmu.org/playlists/shows/110839, http://podcast.wfmu.org/KB/kb-20211210p.mp3, https://www.wfmu.org/playlists/shows/110609, http://podcast.wfmu.org/KB/kb-20211203p.mp3, https://www.wfmu.org/playlists/shows/110387, http://podcast.wfmu.org/KB/kb-20211126p.mp3, https://www.wfmu.org/playlists/shows/110171, http://podcast.wfmu.org/KB/kb-20211119p.mp3, https://www.wfmu.org/playlists/shows/109942, http://podcast.wfmu.org/KB/kb-20211112p.mp3, https://www.wfmu.org/playlists/shows/109678, http://podcast.wfmu.org/KB/kb-20211105p.mp3, https://www.wfmu.org/playlists/shows/109475, http://podcast.wfmu.org/KB/kb-20211029p.mp3, https://www.wfmu.org/playlists/shows/109254, http://podcast.wfmu.org/KB/kb-20211022p.mp3, https://www.wfmu.org/playlists/shows/109046, http://podcast.wfmu.org/KB/kb-20211015p.mp3, https://www.wfmu.org/playlists/shows/108842, http://podcast.wfmu.org/KB/kb-20211008p.mp3, https://www.wfmu.org/playlists/shows/108636, http://podcast.wfmu.org/KB/kb-20211002p.mp3, https://www.wfmu.org/playlists/shows/108411, http://podcast.wfmu.org/KB/kb-20210924p.mp3, https://www.wfmu.org/playlists/shows/108211, http://podcast.wfmu.org/KB/kb-20210917p.mp3, https://www.wfmu.org/playlists/shows/107976, http://podcast.wfmu.org/KB/kb-20210910p.mp3, https://www.wfmu.org/playlists/shows/107751, http://podcast.wfmu.org/KB/kb-20210903p.mp3, https://www.wfmu.org/playlists/shows/107536, http://podcast.wfmu.org/KB/kb-20210827p.mp3, https://www.wfmu.org/playlists/shows/107304, http://podcast.wfmu.org/KB/kb-20210820p.mp3, https://www.wfmu.org/playlists/shows/107042, http://podcast.wfmu.org/KB/kb-20210813p.mp3, https://www.wfmu.org/playlists/shows/106819, http://podcast.wfmu.org/KB/kb-20210806p.mp3, https://www.wfmu.org/playlists/shows/106598, http://podcast.wfmu.org/KB/kb-20210730p.mp3, https://www.wfmu.org/playlists/shows/106373, http://podcast.wfmu.org/KB/kb-20210723p.mp3, https://www.wfmu.org/playlists/shows/106131, http://podcast.wfmu.org/KB/kb-20210716p.mp3, https://www.wfmu.org/playlists/shows/106125, http://podcast.wfmu.org/KB/kb-20210709p.mp3, https://www.wfmu.org/playlists/shows/105674, http://podcast.wfmu.org/KB/kb-20210702p.mp3, https://www.wfmu.org/playlists/shows/105459, http://podcast.wfmu.org/KB/kb-20210625p.mp3, https://www.wfmu.org/playlists/shows/105232, http://podcast.wfmu.org/KB/kb-20210618p.mp3, https://www.wfmu.org/playlists/shows/105018, http://podcast.wfmu.org/KB/kb-20210611p.mp3, https://www.wfmu.org/playlists/shows/104790, http://podcast.wfmu.org/KB/kb-20210604p.mp3, https://www.wfmu.org/playlists/shows/104567, http://podcast.wfmu.org/KB/kb-20210528p.mp3, https://www.wfmu.org/playlists/shows/104315, http://podcast.wfmu.org/KB/kb-20210521p.mp3, https://www.wfmu.org/playlists/shows/104152, http://podcast.wfmu.org/KB/kb-20210514p.mp3, https://www.wfmu.org/playlists/shows/103887, http://podcast.wfmu.org/KB/kb-20210507p.mp3, https://www.wfmu.org/playlists/shows/103665, http://podcast.wfmu.org/KB/kb-20210430p.mp3, https://www.wfmu.org/playlists/shows/103447, http://podcast.wfmu.org/KB/kb-20210423p.mp3, https://www.wfmu.org/playlists/shows/103219, http://podcast.wfmu.org/KB/kb-20210416p.mp3, https://www.wfmu.org/playlists/shows/103009, http://podcast.wfmu.org/KB/kb-20210409p.mp3, https://www.wfmu.org/playlists/shows/102805, http://podcast.wfmu.org/KB/kb-20210402p.mp3, https://www.wfmu.org/playlists/shows/102611, http://podcast.wfmu.org/KB/kb-20210326p.mp3, https://www.wfmu.org/playlists/shows/102395, http://podcast.wfmu.org/KB/kb-20210319p.mp3, https://www.wfmu.org/playlists/shows/102199, http://podcast.wfmu.org/KB/kb-20210312p.mp3, https://www.wfmu.org/playlists/shows/101985, http://podcast.wfmu.org/KB/kb-20210305p.mp3, https://www.wfmu.org/playlists/shows/101787, http://podcast.wfmu.org/KB/kb-20210226p.mp3, https://www.wfmu.org/playlists/shows/101593, http://podcast.wfmu.org/KB/kb-20210219p.mp3, https://www.wfmu.org/playlists/shows/101392, http://podcast.wfmu.org/KB/kb-20210212p.mp3, https://www.wfmu.org/playlists/shows/101183, http://podcast.wfmu.org/KB/kb-20210205p.mp3, https://www.wfmu.org/playlists/shows/100975, http://podcast.wfmu.org/KB/kb-20210129p.mp3, https://www.wfmu.org/playlists/shows/100768, http://podcast.wfmu.org/KB/kb-20210122p.mp3, https://www.wfmu.org/playlists/shows/100573, http://podcast.wfmu.org/KB/kb-20200904p.mp3, https://www.wfmu.org/playlists/shows/96340, http://podcast.wfmu.org/KB/kb-20200310p.mp3, https://www.wfmu.org/playlists/shows/91945. In 1996, a computer game written by Bergman, This page was last edited on 20 December 2022, at 23:02. Proctor and Bergman decided to perform as a duo, and made a separate record deal with Columbia,[22] producing TV or Not TV: A Video Vaudeville in Two Acts.